C L O S E

C V

Photo: Märta Thisner

Anna Lundh is a visual artist based in Stockholm, Sweden. Lundh’s research-based/investigative artistic practice deals with societal and historical phenomena and visions – often considering our relationship with technology and the subject matter of time and temporality. Lundh’s transdisciplinary work manifests in video, sound, installation, web-based works, text, and lecture performance.

EDUCATION

Konstfack University of Arts, Crafts and Design / KTH Royal Institute of Technology, Stockholm, PhD programme ‘Art, Technology and Design’ (2015–)

Konstfack University of Arts, Crafts and Design, Stockholm (B.A. 2004, M.A. 2008)

Royal Institute of Art, Stockholm, ‘Mejan Residents’, artistic research programme (2012–13)

School of Visual Arts, New York, visiting artist (2009)

Cooper Union School of Art, New York, B.A. programme (2002–2003)

Beckmans designhögskola, Evening School: Visual Communication (2000-2001)

Cinema studies, Stockholm University (2001)

Atelier de Sèvres, école préparatoire, Paris (1999–2000)

SOLO EXHIBITIONS and LECTURE PERFORMANCES

2025: Miss Clock (into the groove), Färgfabriken, Stockholm (solo exhibition)

2025: A Clockwork Brunette, Färgfabriken, Stockholm (lecture performance)

2022: Q&Q – 2022 (Future edition), World Academic Forum, Konstfack, Stockholm (lecture performance)

2019: Towards Disorder, Moderna Museet, Stockholm (lecture performance)

2018: Q&Q – 2028, MMCA, Museum of Modern and Contemporary Art, Seoul (lecture performance)

2017: Anna Lundh: VISIONS OF THE NOW, Index Foundation, Stockholm (lecture performance)

2017: Visions of the Now, Fridman Gallery, New York (lecture performance)

2017: Top secret: Sagan om den Stora Datan, Bonniers Konsthall, Stockholm (lecture performance)

2015: The Tale of the Big Computer, Impakt Festival, Utrecht (lecture performance)

2014: The Year is a Python that swallowed an Elephant, ACTS Festival for Performative Art, Museum for Contemporary Art, Roskilde (lecture performance)

2013: Q&Q – 2022 (Full report), Performa 13, New York (lecture performance)

2013: Q&Q – 2022, Disjecta Contemporary Art Center, Portland (lecture performance)

2013: Visions of the Now – Stockholm Festival for Art and Technology, Fylkingen, Stockholm (initiator, organiser & lecture performance)

2013: Repris: TV time, Space, Tensta Konsthall, Stockholm (solo exhibition & lecture performance)

2012: Q&Q – 2022, First Look: New Art Online, The New Museum, New York (solo exhibition)

2012: Q&Q – 2022, Exit Art, New York (solo exhibition)

2012: JOUR FIXE: TV time (solo exhibition)

2012: The Tale of the Big Computer, Triple Canopy, New York (lecture performance)

2012: Grey Zone, Entrée, Bergen (solo exhibition & lecture performance)

2012: On the Dot, Flux Factory, New York (solo exhibition & lecture performance)

2011: NEW Years Eve (GMT –0:30), Platform, Stockholm (solo exhibition)

2010: nu nu nu nu, Haninge Konsthall, Stockholm (duo exhibition)

2009: Conveyor Loop / Löpande Bandet, Marian Spore, New York (solo exhibition)

2008: HEXA_FLEXAGON_F_EVER, Konstfack, Stockholm (solo exhibition)

GROUP EXHIBITIONS (selected)

2020: Unfolding Questions, Codes, and Contours, Tromsø Kunstforening/Entrée, Tromsø

2019: Mud Muses, A Rant About Technology, Moderna Museet, Stockholm

2019: Sick Fireflies and Lightnings in Jars, Petach Tikva Museum of Art, Petach Tikva

2018: E.A.T. (Experiments in Art and Technology): Open-ended, MMCA, Seoul

2018: Works for Radio, Cinemateket, Copenhagen

2017: Working Drawings... (after Bochner), CAC Conceptual Art Center, Landskrona

2016: Second Sunday, Pioneer Works, New York

2015: A Story within a Story, GIBCA – Göteborg International Biennial for Contemporary Art, Göteborg

2015: Society Acts – Version 2, KIM Contemporary Art Center, Riga

2014: Society Acts – The Moderna Exhibition 2014, Moderna Museet, Malmö

2013: Flag NYC, Performa 13 biennial, New York

2012: Matter Out of Place, The Kitchen, New York

2012: Let us keep our own noon, West, The Hague

2012: Prune in the Sky, Toves Galleri / Niels Bohr Institute, Copenhagen

2012: NYSPRÅK, Slakthusateljéerna, Stockholm

2012: Political is Collective – Factions, Linköpings konsthall Passagen

2012: Transforming Function, LMCC’s Arts Center, Governors Island, New York

2011: Slipstreams, Franklin Street Works, Stamford

2011: TETRAGRAM FOR GATHERING, Detroit, Stockholm

2011: Platform + SQUID, KUNTSI Museum, Vaasa, Finland

2010: Swedish Conceptual Art, Kalmar Konstmuseum

2010: Cleopatra’s Presents, Leo Koenig Projekte Inc, New York

2009: Avant-Guide to New York – Discovering Absence, Apexart, New York

2009: Eternal Return, Magasinet, Falun

2009: NO SOUL FOR SALE, Rhizome / New Museum, New York

2008: Tell a Friend, Bonniers Konsthall, Stockholm

2007: Östgöte eller ej?, Norrköpings Konstmuseum

2005: DNA 2005, Diesel New Art, So Stockholm

2005: Mickey’s Trailer, special exhibitions/projects, Stockholm Art Fair, Stockholm

GRANTS, AWARDS, RESIDENCIES

Arbetsstipendium, Konstnärsnämnden (2025)

Stiftelsen för teknisk vetenskaplig forskning och utbildning, KTH (2022)

Grez-sur-Loing, vistelsestipendium (2021)

Artist in Residence, Pioneer Works, New York (2016)

Arbetsstipendium, Konstnärsnämnden (2014)

FAIR artist residency, Köpenhamn (2014)

Projektbidrag, Konstnärsnämnden (2013)

Projektbidrag, Stockholm Stad (2013)

Projektbidrag, Swedish Performing Arts Agency (2013)

Arbetsstipendium, Konstnärsnämnden (2012)

Mobility Funding, Nordic Culture Point (2011)

Iaspis, International Cultural Exchange (2011)

Flux Factory Residency, New York (2011)

Art OMI Residency, Ghent, USA (2010)

Artistic Development Research, KU, Konstfack (2009–2010)

LMCC Workspace Residency, New York (2008–2009)

Swedish Art Academy graduation grant (2008)

Assistenstipendiet, Konstnärsnämnden (2006)

ARTIST TALKS and ACADEMIC INVITATIONS

Karma, Dreams and Lost Futures – a conversation chaired by Paul Purgas, Scenkonstmuseet, Stockholm (2024)

E.A.T. in India: Julie Martin with Jared Bark and Anna Lundh, NID Archives, Ahmedabad (2021)

Visions of the Now, TEI 2018 (Keynote), KTH Royal Institute of Technology, Stockholm (2018)

What does artistic research do?, Tensta Konsthall, Stockholm (2018)

ReActivate, ReVisit, Nordic Summer University, Riga (2018)

Celebrating Time, 3rd Int. Conf. on Time Perspective, Copenhagen (2016)

Medium is a Medium is a Medium, Linköping University (2015)

WRITING

‘Miss Clock – enacting (wo)man–machine’, ALGORITHM, Antipyrine (2022)

Visions of the Now – Stockholm Festival for Art and Technology, Sternberg Press (2017)

‘Sagan, Nu’, epilogue in SAGAN OM DEN STORA DATAMASKINEN. En vision av Olof Johannesson (Hannes Alfvén), Nille Editions (2016)

‘OPERATION: Sagan om den Stora Datan – Akt II’, Squidprojects (2011)

‘The Tale of the Big Computer’, Triple Canopy (2011)

‘OPERATION: Sagan om den Stora Datan – Akt I’, Squidprojects (2010)

‘(Ut)Sagan om den Stora Datan...’, Hjärnstorm (2010)

EXHIBITION CATALOGS and PUBLICATIONS

Mud Muses, A Rant About Technology, Moderna Museet / Koenig Books (2019)

E.A.T.: Open Ended, MMCA, Korea (2018)

A Story Within a Story, GIBCA, Art&Theory Publishing (2015)

Society Acts, Moderna Museet (2014)

SELECTED BIBLIOGRAPHY

‘Is it About Time?’, Nordes Research (2025)
ALGORITHM, Antipyrine (2022)
In & Beyond Sweden, Art&Theory / Moderna Museet / Iaspis (2018)
Den här Datorn – Svensk Datorkonst 1983–2015, Rojal Förlag (2015)
BOMB Magazine – Repris: TV Time (2014) ‘Modernautställningen på Moderna Museet’, Sveriges Radio (2014)
‘Modernautställningen 2014’, Dagens Nyheter (2014)
‘Anna Lundh: Miss Clock (The Year is a Python’, FFKD.dk (2014)
‘Kunstkritikk: Farvel til Orange Scene’ (2014)
Frieze Magazine (2013)
Wired Magazine (2013)
Art Papers (2012)
‘Artist Profile: Anna Lundh’, Rhizome (2011)
‘The Tale of the Big Computer’, Rhizome (2011)
‘Svensk Konceptkonst på Kalmar Konstmuseum’, Dagens Nyheter (2010)
Art Review (2010)
‘Net Worth’, Artforum (2009)
Svd (2008)
Livraison no. 2 (2006/2007)
DN Kultur (2006)
BANG, nr 4 (2005)
FORUM, nr 3 (2005)
DN Kultur (2005)
ReadyMade Magazine (2005)
‘Rocky’, Dagens Nyheter (2005)